加拿大莱斯布里奇论文代写：澳洲文化
可以争论，对礼的喧闹的习俗、权威和经常循规蹈矩的海关澳大利亚资产阶级（明显，在审查的国家的历史，这样的国家的应对家长式的统治者）是两段自立的能量；对传统燃料的粗暴行为文化与叛乱内涵，反过来社会保守主义，被视为代表，强烈要求手。它通常表示为“恶棍扫兴的Nexus。“洁癖”是与清教徒的道德个体的澳大利亚非正式词。
“从第二十世纪到20世纪60年代开始，白澳大利亚-一个单一的国家包括英国的澳大利亚人控制澳大利亚的文化和政治生活的基础”（Walker & Collins，2008:3）。粗暴行为和ockerism文化起义趋于热潮对这种统治英国澳大利亚的理想。传统文化热潮归因于男性的肯定，目前，它将归属于男性气质和女性气质，谁打破传统的规范，但在一个善良的男人和女人，温柔和自由的方式。
澳大利亚的民族认同是建立在严酷的男性的场所，利用布什严酷的风度，脸谱等特点。澳大利亚部队由许多作为这个新出现的个性结晶表示。在上世纪50年代，澳大利亚的身份是反独裁和反知识分子的概念来反映世纪男人。这很可能在这一点上，澳大利亚的历史假定身份曲石的高高瘦瘦、精明的澳大利亚小子原始值或这些人了。
传统的澳大利亚人的上世纪70和80年代具有许多共同之处的“未来人”的概念，一个普通的人或者一个简单的快乐努力战斗者。他们通常被称为“好男人”并不是指“博甘斯的年代以前当字卓越的杂志。直到上世纪80年代中期，他们被称为“larrikins”或“澳大利亚战士与规律。喜剧公司凯莉摩尔首先利用词贬义，就此，它成为远郊文化或传统的盎格鲁澳大利亚工人阶级社会术语识别。
加拿大莱斯布里奇论文代写：澳洲文化
It may be debated that the larrikin custom of contempt for propriety, authority and the often conformist customs of bourgeois Australia (as apparent, such as, in the nation’s history of censorship and the country’s response to paternalistic rulers) are two segments of a self-supporting energy; the social conservatism of the conventional fuels the connotation of the larrikinism culture and insurgence that in turn, is deemed as representing that a strong hand is required. It is often denoted as ‘larrikin-wowser nexus‘. The term ‘wowser’ is an Australian informal word for an individual with puritanical mores.
‘Since the commencement of the 20th century to 1960s, the basis of White Australia – a homogenous country comprised of British-Australians controlled Australian cultural and political life’ (Walker & Collins, 2008:3). Larrikinism and ockerism cultural uprising tended to be an upsurge against such dominion of British-Australian ideals. The cultural upsurge was traditionally attributed to masculine affirmatives but at present, it is equivalently attributable to both femininity and masculinity, men and women who break free from conventional norms but in a good-hearted, gentle and free manner.
The national identity of Australia was constructed upon harsh masculine establishments, utilizing harsh demeanour of the bush to typify such characteristic traits. The ANZAC troops were denoted by many as crystallization of this newly emerged individuality. In the 1950s, Australian identity was anti-authoritarian and anti-intellectual reflecting the 1890s conceptualization of ‘coming men.’ It was probably at this point when Australian history assumed an identity curved in stone out of the primitive values of rangy and shrewd Australian ‘bloke’ or as these blokes were.
The conventional Aussies of the 1970s and 1980s possessed much in common with the conceptualization of the ‘coming man’, a common person or an effortful battler with simplistic pleasures. They were conventionally known to be ‘good blokes’ and were not referred to as ‘bogans’ before the 1980s when the word attained prominence in magazines. Till the mid 1980s, they were known as ‘larrikins’ or ‘Aussie battlers’ with regularity. The Comedy Company’s Kylie Mole first utilized the term in a pejorative sense and thereon, it emerged as terminological identification of outer suburban culture or conventional Anglo-Aussie working-class society.
