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加拿大贵湖论文代写:超现实主义艺术

自动绘图是在不受意识心灵干扰的情况下绘制图像的想法,它是关于让手画出任何想到的东西,这意味着完全暴露无意识的头脑。它可以被称为自动书写的类比。 “大象明星”是恩斯特最着名和最早的作品。它高度模仿乔治德奇里科的风格。它描绘了战争期间人们心灵的恐惧和非理性。恩斯特曾参与第一次世界大战,并受到极大影响,这也让他更加了解正在面临战争的人的思想。大象代表了第一次看到英国坦克的恐惧,而无头的女人代表了他的姐姐,她的死亡给恩斯特带来了极大的悲痛。

加拿大贵湖论文代写:超现实主义艺术
他使用带纹理的对象在画布上废弃油漆。这是超现实主义最重要的方面之一,他从乔治德奇里科的作品中发现了这一点。恩斯特将其解释为“有系统地利用在两个不相关的飞机上偶然或有意识地会合两个不相关的实体 – 以及由这些现实的共同点燃的诗歌的火花。”
超现实主义艺术家认为,只有梦才是有意识和无意识思想之间的屏障,梦想的绘画才是完整意识的体现。有了这个概念,超现实主义艺术的两个分支变得明显。其中之一是从超现实主义文学发展而来的自动化。耳朵的自动艺术家是琼米罗,安德烈马森,马克斯恩斯特和伊夫唐古伊(他的早期作品)。

加拿大贵湖论文代写:超现实主义艺术

Automatic drawing served as the idea of drawing the image without any interference of conscious mind, it is about letting the hand to draw whatever comes to mind, which means complete exposure of unconscious mind. It could be called as the analogue of the automatic writing. “The Elephant celebs” is the most famous and earliest painting of Ernst. It highly imitates the style of Giorgio de Chirico. It depicts the fear and irrationality of one’s mind during the time of war. Ernst had been involved in the World War I and was extremely affected, which also gave him more insight of one’s mind that is facing a war. Elephant represented the fear of seeing the British tanks for the first time and the woman without head represented his sister whose death brought great grief of Ernst.

加拿大贵湖论文代写:超现实主义艺术
He used the objects with textures to scrap the paint on canvas. This was one of the most vital aspects of Surrealism, which he discovered from the works of Giorgio de Chirico. Ernst elucidated it as “systematic exploitation of an accidental or deliberate meeting of two unrelated entities on a plane that is related to neither—and the spark of poetry that is kindled by the coming together of those realities.”
Surreal artists believed that only dreams are the barrier between the conscious and unconscious minds, paintings of the dreams is the manifestation of the complete mind. With this notion the two branches of the surrealistic art became evident. One of them was the automatism that had evolved from the surrealistic literature. The automatic artists of the ear were Joan Miro, Andre Masson, Max Ernst and Yves Tanguy (his early works only).