加拿大魁北克论文代写：建筑艺术
艺术可以被定义为以各种方式描绘人类的情感。艺术的价值取决于观众。在建筑领域，艺术的表现形式通常是视觉形式。这些艺术形式通常以绘画，雕塑和房间布置的形式出现。将艺术嵌入建筑物的目的是唤起人们的特殊情感。艺术的价值通常是内在的和无形的。通过嵌入艺术发现建筑物的价值在增加。艺术在建筑中的应用是为了使建筑更加美观，同时也是技术，应用方式，应用背后的工程，以及使建筑真正完整的建筑。与其他动物和生物相比，人类的智慧是人类独一无二的。在整个人类的进化过程中，人类总是试图创造一个安全的住所。通过许多试验和从经验中获得的信息，人们在建筑方面取得了突破（Sternberg，1982）。由于这种发展，人已经成为一个占统治地位的人。科学工程和将建筑结构引入科学，使人们创造了许多不同的复杂结构。因此，人类智慧的发展与艺术在促进建筑发展方面同样重要。当前更多的建筑趋势是建筑物中基于智能的设计创造。
Salingaros（2007，p.37）指出：“接受人类智慧作为建筑设计过程的一个统一原则，使我们能够从根本上重建建筑教育和实践，而这种方式为特质或意识形态表达留下了空间。因此，艺术被定义为一种意识形态表达，根据Salingros（2007）的观点，主要由建筑教育和实践引起的技术应用转向更好。
加拿大魁北克论文代写：建筑艺术
Art can be defined as a depiction of human emotions in a variety of ways. The value of the art depends on the viewer. In architecture field the representation of art is usually in the visual forms. These art forms are usually in the forms of painting, sculptures and arrangement of the rooms. The purpose of embedding art in the buildings is to evoke a particular emotion in people. The value of art is usually intrinsic and intangible. The value of the buildings is found to increase by embedding art. While the application of art in the buildings is to make the buildings more aesthetically pleasing to the eyes, it is also the techniques, the way they are applied, the engineering behind their application and more that makes architecture truly complete. Human intelligence is what sets man uniquely in comparison with other animals and beings. Throughout the evolution of mankind, man has always tried to create a safe place to stay. Through many trials and from the information garnered from experience man has created breakthroughs in constructions (Sternberg, 1982). Man has emerged as a dominant being owing to this development. The engineering and the induction of science into the building structures have enabled man to create a multitude of different intricate structures. Evolution of the human intelligence has hence been just as much a major factor as that of art in contributing to architectural development. More current trends in architecture are creations of intelligence-based designs in the architecture of the building.
Salingaros (2007, p.37) presents that “Accepting human intelligence as a unifying principle for the architectural design process enables us to fundamentally restructure architectural education and practice, in a manner that leaves little room for idiosyncratic or ideological expressions”. Art is hence defined as an ideological expression and according to Salingros (2007) there is a shift towards better technical application-induced mainly by architectural education and practice.
