ll the filmmakers should admit and acknowledge the fact that it is inescapable to move away from modernity. Modernity is a concept which is growing day by day and picking up pace globally. Therefore the filmmakers now need to realize that they need to make films keeping in mind the transnational and transcultral perspectives. It must be understood by the directors that different cultures and civilizations have different starting points of the transitions leading to modernity. Modernity is a pretty rich concept in itself and is said to be a multiplicities concept. However it must be kept in mind that there’s a difference between modernization and Westernization. There are many examples in the film industry regarding the cinematic representations of Dharma and Guanxi. Such cinematic representations of religious societies are against the modern beliefs. However they require much more efforts and resources to interact with the audiences. There is a certain set of audiences especially in the younger generation who are sick and tired of the contemporary films and are demanding films with new ideas and modern day concepts and solutions. The concept of alternative mordenitites state that all men are not a part of a grand plan made by God. This concept is promoting liberalism and hence the filmmakers now need to adapt to this change across different cultures. Although it is necessary to mention that it will take some time to go away from the traditional belief system and specially in closed societies where religion have a larger role to play in the society.
将电影制片人应该承认，承认它是不可避免的摆脱现代性。现代性是一个概念，是日益增长，加快全球。因此，制片人现在需要认识到，他们需要让电影保持头脑的跨国和跨文化的视角。它必须被理解的董事，不同文化和文明之间有不同的领导向现代转换的出发点。现代性本身是一个非常丰富的概念，可以说是一个多样性的概念。然而必须牢记，有现代化与西化之间的差异。有很多例子，在电影业对于佛法与关系的电影的表现。宗教的社会对现代电影的表现是信仰。然而，他们需要更多的努力和资源，与观众互动。有一组特定的观众，尤其是年轻一代谁是厌倦了当代电影，要求用新的理念和现代的概念和解决方案的电影。替代mordenitites状态的概念，也不是所有人都是上帝创造的宏伟计划的一部分。这个概念是促进自由主义，因此制片人现在需要适应这种变化，在不同的文化。但需要指出的是，这将需要一些时间去摆脱传统的信仰体系，特别是在封闭的社会里，宗教有一个更大的作用，在社会中发挥。
