加拿大论文之五

加拿大论文之一段时间的晚期风格

技术的时代已经引发了一场革命,导致了其在建筑领域的应用。彼得·艾森曼补充说,在他的作品在接受媒体文化“,”建筑当代建筑是20世纪所创造的新媒体。艾森曼的信念,这将是一个错误的旅程,如果架构形成了一个媒体。为了抵御的媒体架构的优势,采取更好的成像。通过技术的设计,仅仅是没有意义的设计。在他的作品中,艾森曼引用的今天,市场拉动消费,因此是一个非常小的范围内,设计新的东西。

然而,从一篇文章“媒体文化”的六点计划写由彼得·艾森曼的建筑,他很沮丧,当代建筑是这些新的媒体。他描述了他的新媒体文化的时代精神,或精神的时候。在他的6点计划,埃森曼的第一个点,它是一个很脆弱的,如果体系结构是一种形式的媒体。为了对抗霸权的媒体,建筑不得不求助于越来越多的壮观影像。通过数字化进程产生的形状变得既内置的图标没有任何意义,但也仅是指他们自己的内部流程(Petrunia2008年)

加拿大论文之A Period of Late Style

Technology in the era has created a revolution that has led to its application in the field of architecture. Peter Eisenman in his work ‘Architecture in a media culture’ has added that the contemporary architecture is subjected to the new media created by 20th century. Eisenman is of the belief that it will be a wrong journey if architecture forms a media. In order to withstand the dominance of the media architecture has to resort for better imaging. The designs generated through the technology are merely a design with no significance. In his work, Eisenman quoted that the today the market is consumer driven and as such there is a very little scope to design new things.

However, from an article ‘Architecture in a media culture’ in Six Point Plan written by Peter Eisenman, he quite dejectedly that contemporary architecture is subject to these new Media. He describes the new media culture as the zeitgeist, or spirit of the time. In the first point of his Six Point Plan, Eisenman states, it is a weak one if architecture is a form of media. To combat the hegemony of the media, architecture has had to resort to more and more spectacular imaging. Shapes generated through digital processes become both built icons that have no meaning but also only refer to their own internal processes (Petrunia, 2008)

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