壁画存在于细胞内部的走廊上不如那些有外层细胞。细胞从15到23号的数字包含的数据与基督在十字架上和被圣多米尼克(崇拜(Staniszewski,1998)。这些壁画内部一方面是一个艺术家的作品。这些作品保持水平不能由其他设计相比。后这是细胞数量24日25日26日从《圣经》由四个不同的场景,包括基督的洗礼,基督在十字架上,耶稣的描述和鞭打。另一个伟大的绘画的纪念碑,创造了一个伟大的影响是在细胞数量36、37和42的描述由基督被钉在十字架上。也有两种不同类型的壁画包含描述他们每个人的受难服务员圣人。风格和精神提出的壁画是美丽的。艺术文档是最美丽的的表现形式之一。记录上的艺术带来的影响观众和肯定有着巨大的影响。这种效应产生了许多艺术家在过去。这样一个茁壮成长的名字的人Jan范艾克伟大的艺术设计。1月最早的绘画是麦当娜的教堂,已在1425年创建的。史诗般的绘画,它是一幅画,已经创建了比生命的大小。这幅画描绘了Madona都充满了天真的教堂。她一直戴着丰富的宝石顶在头上。
The frescos which are present in the cells which are on the inner sides of the corridor are inferior to the ones which are there in the outer cells. Cells from the numbers 15 to number 23 contain the figures which are related to the Christ on the Cross and have been adored by Saint Dominic ((Staniszewski, 1998). These frescos on the inner side are the works of the single artist. These works maintain the level which cannot be compared by other designs. After this comes the cells number 24, 25, 26 which consists of four different scenes from the Bible, including the Baptism of Christ, the Christ on the Cross, the depiction of the Man of sorrows and the Flagellation. Another great painting in a monument which has created a great impact is there in the cell numbers 36, 37 and 42 which consists of the depictions of the Christ who is nailed to the cross. Also, there are two different kinds of frescos each of them containing the depiction of the Crucifixion with the attendant saints. The style and the spirit which has been put forward in the frescos are beautiful. Artistic documentation is one of the most beautiful forms of expression. Documenting the art leads to have a voluminous effect on the viewers and it certainly has a massive impact. This kind of effect has been produced by a number of artists in the past. One such name who has thrived the people with his great art designs is Jan Van Eyck. The earliest painting of Jan is the Madonna in the Church, which has been created in the year 1425. Being an epic painting, it is a painting which has been created on a larger than life size. The painting depicts that Madona has filled the naïve of the church. She has been wearing a richly jewelled crown on her head.
