Assignment First

美国论文代写:从Ninsee的角度分析非洲文化遗产

在Ninsee的角度来看,进步进行去除的材料方面代表的博物馆。例如,一些欧洲博物馆一直在挑战他们的女人。非洲女人与异国情调代表被频繁的应用程序。非洲妇女代表解剖学上的方式倾向于野生动物,和性提出了更多。在某种意义上,它是西方世界会如何看待非洲女人。然而,这不是一个真正的文化的解释,所以博物馆像Ninsee撤销这些图像。

美国论文代写:从Ninsee的角度分析非洲文化遗产

他们试图描绘对象和展品,描绘人们在非洲散居侨民与更多的真实性。的描述被认为是更客观,不寻求符合刻板印象,更多的销售材料。在Ninsee,从作者的角度论证为什么虚假陈述继续,已经提出,非洲散居侨民的狭窄单侧表示存在一定程度上是因为非洲血统的人并不普遍采用在策展人等管理员船的位置。他们是利益相关者在最好的情况下,但不咨询报告、或产品。的位置表示为代表的国家与人工制品的原产地县是引起变化。因此,有必要为博物馆创造他们自己的独特的图像呈现遗产时,有必要培养方案在考虑非洲散居侨民的表示。

美国论文代写:从Ninsee的角度分析非洲文化遗产

In the perspective of Ninsee, advancements were done to remove the material aspects of representation in the museum. For instance, some European museums have been challenged on how they present the woman. The African woman was stereotypically represented with exoticism being a frequent application. African women were represented anatomically in a way that was inclined to wild animals, and the sexual nature was presented more. In a sense, it is how the western world tends to see the African woman. However, this is not a true interpretation of culture, so museums like Ninsee work on quashing these images.

美国论文代写:从Ninsee的角度分析非洲文化遗产

They attempt to portray objects and exhibits that portray people in the African diaspora with much more authenticity. The portrayal is seen to be more objective and does not seek to conform to stereotypes that would have been much more sales material. In the perspective of Ninsee and from author arguments on why misrepresentations continue, it has been presented that the narrow and one sided representation of the African diaspora exists partly because people of African descent are not that commonly employed in positions of administrator ship such as curators. They are stakeholders at best, but are not consulted in presentations, or productions. The location of representation as in the country of representation versus the county of origin of artefact is seen to cause a change here. Therefore, it is necessary for museums to take up to creating their own distinctive images when it comes to presenting heritage and it is necessary to foster alternatives in considering the representation of African diaspora.