商业文章代写：电影中的男子气概
男人表现出的侵略性也是一种想要超越自己的欲望的有趣表现。它表明，当男人或男子气概在每个层面上受到压制和忽视时，他们会比平时更有动力去做更多的事情，并表现出最大的优越性，甚至比别人表现得还要好，超越别人对他们的期望。不能排除社会的贡献及其假设。几个世纪以来，男人在他们的生活中被证明是积极的，而女人在他们的生活中是消极的，这种观念被适当地捕捉、操纵和在电影中播出。毕竟，电影只是社会价值观的镜像。此外，一些开明的社会人士预见到男女之间的各种可能性。电影通过侵略和暴力展现了男性强烈的统治欲和阳刚之气。Ta(2006)给出了一个有趣的类比，如果一种文化不检查它的暴力和暴力的根源，那么这种文化是在否认，是危险的。社会和它的普遍价值观也通过赋予诸如暴力、力量和阳刚之气等性别价值观而导致了社会的日益僵化。它也重视价值观，如爱，情绪化，缺乏力量，消极对待女性。电影通过展现男性解决问题的能力来刻画男性的统治地位。其他各种属性还包括屏幕更大、更专业、关系更融洽。这些都是传统电影如何在很大程度上贡献了男子气概的本质和它曾经吸引的神性的例子。电影的音乐很硬朗，听起来很男性化，再一次把男性作为一种属性。与女权主义相关的轻柔平静的音乐相比，打斗音乐也更有冲击力和男子气概。电影的摄影和画面呈现都是以男性为主，危机通过他们的各种情感表现而表现出来。以泰勒为主角的色情图片更能让人产生欲望和潜意识，并被描述成禁忌和丑闻。玛丽莎(2007)公开宣称电影角色的这种行为与哥特风格有关，以臭名昭著的泰勒的变态形象为例。角色常常被看作是在两个身份之间分裂，或者是在无休止地寻找一个身份来安定下来(Ruddell, 2007)。泰勒跳出了自己的身体意象，寻找比幸福和满足更悲观和沮丧的生活序列。
商业文章代写：电影中的男子气概
The aggression of men displayed is also an interesting display of the desire to be more than they could ever be. It shows that when men or masculinity is suppressed and ignored at each level, the men were motivated to do more than usual and show the utmost superior theycan be, even more than others and go beyond what is expected from them. The contribution of society and its assumptions cannot be ruled out from this. Since centuries, men have been shown to be active and female to be passive in their lives, and this notion has been properly caught, manipulated, and broadcasted in movies. After all, movies are nothing but a mirror image of societal values. Also, some enlightened minds of society foresee variable possibilities for both genders. Culture is a valid contributor to the ideaof movies showing men’s ardent desire for dominance anddisplayingmasculinity through aggression and violence. Ta (2006) gives an interesting analogy that if a culture doss not examines its violence and the roots of the origin of violence, then the culture is in denial and is dangerous. Society and its general values are also contributing to the growing rigidity by attaching values to genders like violence, strength, and masculinity. It also attaches values like love, being emotional, lack of strength, and being passive with femininity. Movies portray male dominance byshowing the men as problem solvers.The various other attributes include having a bigger screen presence, being professional and carefree for relationships. These are examples of how the traditional cinema has been contributing to a great extent about the nature of masculinity and the divineness it once attracted. The music of the movie is hard and sounds masculine, again attaches to men as an attribute. Fight music is also hard hitting and manly than the soft and calm music associated with feminism. The cinematography and the screen presence in the movie are pre-dominantly male and the crisis displayed through their various emotional display. The pornographic image of Tyler as the lead role is shown to accentuate more wanting and more subliminal, and characterised as more prohibited and scandalous. Melissa (2007) openly declares this behaviour of the movie character as associated with gothic evident by the perversity shown in the form of a notorious Tyler. The character is often seen to be split between two identities or in an endless search to settle down with an identity(Ruddell, 2007). Tyler moves out of his own body image and searches more pessimistic and dejected life sequences than happiness and contentment.
